Screenshot From First Video:
Screenshots From Videos For 'The Third Degree'
Mika Rottenberg at Nottingham Contemporary
The installations that were created to view the video work in led to the viewer feeling like they were in another environment other than that of the gallery.
The piece which most caught my attention was one whereby the viewer had to peer through a small circular hole in the gallery wall to view the video. Similar to the idea of the installations, it was easily forgotten that you were in a gallery context.
Below are some images of the exhibition:
Screenshots From the Videos I've Used to Document From For the Final Videos
Screenshot From First Video:
Screenshot From Second Video:
Screenshot From Third Video:
Screenshot From Fourth Video:
Screenshot From Fifth Video:
Screenshot From Sixth Video:
Is It Really So Strange?
This exhibition by second years appealed to me due to the choice of displaying work in a van. It links to my practice not only through the van but also through selecting the location of just outside a gallery to place it.
How important is the physical context which art is shown in and does art need a link to an institution to determine it being art?
How important is the physical context which art is shown in and does art need a link to an institution to determine it being art?
Versus
This quote displayed at the exhibition was of strong interest to me:
"artistic intelligence is no longer governed by the conflation of making with the traditions of mark-making but rather with conceptual acuity"
John Roberts, The Intangibilities of Form.
Below are some images of the show:
The Radev Collection: Bloomsbury and Beyond
The curation of this exhibition at The Collection caught my attention due to the use of L-shapes. I am also planning to build an L-shape within my space for 'The Third Degree'. Through adding extra walls to create these shapes, as well as using exisiting walls, I feel the space was well divided and the work effectively hung.
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